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When I was growing up in rural Pennsylvania I had an Uncle,
Malcolm Parcell,
who was an artist. Uncle Malcolm lived in the original cabin he was born in. He later built an A-Frame for his studio.
Being in Uncle Malcolm's studio was like being part of a Fairy Tale..pictures were everywhere...
He did wonderful winter sunsets in his paintings and fiery, horned men with beautiful maidens....I thought it was the only way to live!
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Later, as I was learning about artists and techniques in college, he would ask me if I liked those new people, Picasso and Pollock...
He always seemed a bit depressed when I said I did. Years later I would understand why he was so compelled to record places and people of his hometown...
things change quickly and can easily disappear from our lives.
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Later, as I was learning about artists and techniques in college, he would ask me if I liked those new people, Picasso and Pollock...
He always seemed a bit depressed when I said I did. Years later I would understand why he was so compelled to record places and people of his hometown...
things change quickly and can easily disappear from our lives.
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Having lived in the Sonoran Desert now for 45 years, I see daily how fast the plants and animals are being pushed out of the way for development..
How quickly it could all look like any other city..any other land.... I am trying to capture and cherish this land.
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The desert has it's own light.. it is a hot, bright, blinding light.. I like to use this light and it's shadows in my paintings.